My Ear Comes Off!
What next? Isis offers stuffed Mohammed? The Catholic Church sells plush Crucifixion with detachachable nails and a rubber hammer? Jesus wept. – CNQ to read more of What Meets the Eye
What next? Isis offers stuffed Mohammed? The Catholic Church sells plush Crucifixion with detachachable nails and a rubber hammer? Jesus wept. – CNQ to read more of What Meets the Eye
To begin with, intense satisfaction. We knew he got from point A to point B and now we know how and can confirm it by checking the dates to figure out the progression. […]
And yet. And yet, Eisenman is a terrific painter, full of invention, so much to look at, so much to argue with and and talk about. This genre of historical painting, maybe it is the […]
Now on top of everything else, Jennifer Bartlett is painting my paintings for me. As I learned courtesy of Raggedy Ann’s Foot (*) a couple weeks ago—do you see? And it pained me. Fearing […]
OK, the women are finally getting their day, turning the objectifying tables and whatnot, and now we’re going to see some female subtlety and range of emotion. However, when I take a hard look (haha), […]
I was considering going to the Met Breuer “Unfinished…” when I walked into “Nice Weather”, and that is probably why I started wondering if these paintings were finished. The Met has pitched a curveball at […]
Do you ever experience a dream that’s like falling down steps in the dark? And one time I fell off a country road down a wooded hill because I was looking at the moon, which […]
In a two-person show I look for what connects the painters. Well, actually, I am always looking for connections between painters (as well as ideas I might use myself) because for the most part, these […]
…is better than the first time. The reason? Lowered expectations (possibly the key to happiness in all things.) So I didn’t hurry from room to room in search of something else without knowing what that […]
The Pumpkin Festival and Other Portraits” is a show of large and small scale portraits in charcoal that Valentine made 1989-91. The large scale portraits drew me into surprisingly intimate conversations. Actually they are not […]
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