What Meets the Eye
The Drawings of Matt Freedman
In performance, Matt drew upside down on a pad he hung around his neck—so generous! rightside up for us. By chance and this is very Freedmanesque if you know what I mean, I read a […]
Studio 10
What Meets the Eye
Adam Simon and Object Constancy
After dropping my wife at the A train, it was too early for Harry’s* and I passed McDonalds, thinking about Simon’s show, the ultra-recognizability of the golden arches and stopping off for a sausage biscuit […]
The Pencil Review
Paul D’Agostino draws a performance by David Simon/sculpture by John Monti at Studio 10
It sometimes happens that there’s a lovely red pen just sitting there, right next to the sign-in book, and that both objects happen to be right where you often stand to watch certain things take […]
The Pencil Review
What Meets the Eye
Putting Things in Perspective: David Brody and Elliott Green
Brody and Green paint unpeopled, brightly colored, constructed landscapes. By constructed I mean they are neither observed from nature nor painted from photographs. In both men’s work, video games come to mind—specifically the background landscapes […]
The Pencil Review
The Pencil Review
The Pencil Review
Featured Posts
NOMENCoLorATURE at Studio 10
Paul D’Agostino’s latest beautiful effort to bring painters together on hot summer days opened last Saturday and can be viewed again on Saturday and Sunday (8/13 and 8/14) from 2-6. (Yours truly presiding on Saturday […]
The Pencil Review